The Sigma 10-18mm f2.8 DC DN is an ultra wide zoom for APSC mirrorless cameras, and available in Fujifilm X, Sony E and Leica L mounts. Here's my review!
The Fujifilm GFX 100 II is a medium format mirrorless camera with a new 102 MP sensor, 8fps bursts and 8k video. Find out why it's their best GFX to date in my review!
The SQ40 is an analogue instant camera that uses Fujifilm's instax Square film. Like the Mini 40, the SQ40 swaps pastel colours for a more serious look. Find out if it's for you in my review!
The XF 8mm f3.5 is an ultra wide prime lens for X-mount, and becomes Fujifilm’s widest prime lens in the system to date, delivering coverage equivalent to 12mm - ideal for expansive landscapes, huge architectural views and wide-field milky-way shots, not to mention dramatic video whether you’re behind or in front of the camera. Here's my review so far!
The Fujifilm X-S20 is a compact mid-range mirrorless camera with a 26 Megapixel APSC sensor, 6.2k open gate video and IBIS. Find out if it's your ideal camera in my review!
The Sigma 23mm f1.4 DC DN is a mild wide angle lens designed for mirrorless cameras with cropped APSC sensors. Available in Sony-e, Leica-L and Fujifilm-X mounts, it delivers coverage equivalent to 35mm. Here's my in-depth review!
The INSTAX Mini 12 is the latest instant camera to use Fujifilm’s enormously popular INSTAX Mini film. Find out in my review why the upgrades over the 11 make it the best budget instant camera!
The Fujifilm X-T5 is a mirrorless camera with a 40 Megapixel APSC sensor, 6.2k video, built-in stabilisation, tilting screen and the classic control dials many of you love from previous models. Check out my full review!
The Tamron 150-500mm f5-6.7 Di III VC is a long telephoto zoom designed for Sony’s E-mount and Fujifilm's X-mount mirrorless cameras and corrected for full-frame. Find out if it's an interesting alternative to Sony's or Fujifilm's own lenses in our complete review!
The Fujifilm X-H2 is a high-end mirrorless camera with a new 40 Megapixel APSC sensor and 8k video. Check out my full review!
The Fujifilm X-H2S is a high-end mirrorless camera with a new 26 MP stacked sensor, 40fps bursts, IBIS and 6.2k video. I've now completed my final in-depth review!
The Fujifilm XF 23mm f1.4 R LM WR is a wide-angle prime lens for X-mount mirrorless cameras. It delivers mild wide coverage equivalent to 35mm, while the bright f1.4 focal ratio allows shallow depth of field effects. Check out my full review!
The Fujifilm XF 33mm f1.4 R LM WR is a bright standard prime lens for X-mount mirrorless cameras with plenty of opportunity for shallow depth of field effects. Find out if it's right for you in my review!
The INSTAX mini EVO is a digital instant camera with a screen and a built-in printer to make physical copies. It can also be used as a wireless printer for your phone. But does it lack the vintage charm we know and love from analogue INSTAX cameras? Find out in my review!
The Fujifilm GFX50S Mark II is a medium format mirrorless camera with 51.4 Megapixels and built-in stabilisation. It takes the body of the GFX100S but fits it with the 51.4 Megapixel sensor from the original GFX models to hit a more affordable price point while still delivering more than enough detail for most of us. Here’s my review so far!
The Fujifilm XF 18mm f1.4 is a wide-angle prime lens for the X-series mirrorless system, delivering standard wide angle coverage equivalent to 27mm when mounted on an X-series body. I've now updated my first-looks review with sample images from a final production model!
The Fujifilm GFX 100S is a medium format mirrorless camera with 100 Megapixels, built-in stabilisation and 4k video. This fourth model in the GFX series inherits the sensor from the flagship GFX 100 but packs it into a more compact and much more affordable body. Find out why it's the best GFX to date in my review!
The INSTAX Mini 40 is the latest instant camera to use Fujifilm’s enormously popular INSTAX Mini film. It's essentially the Mini 11 with vintage styling, but as you'll find out in my review, that's not necessarily a bad thing.
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