Best vlogging camera 2023

If you’re looking for the best camera for vlogging, YouTube or other video creations, you’ve come to the right place! I joined YouTube back in 2006 and started using video for presenting guides and gear reviews. During the last 17 years I’ve learned a lot about video production and what features are most important to vloggers, especially when working by yourself, and I’ve always evaluated new cameras both from a stills photography and video perspective.

On this page I’ll shortlist the cameras and accessories which I can personally recommend for vlogging at every level from budget to high-end.

UPDATE October 2023: The newly announced DJI Pocket 3 looks like it may become one of the best vlogging cameras, with a decent-sized sensor, gimbal for excellent stabilisation, confident focusing and good audio accessories. Look out for a review coming soon!

Recommended vlogging cameras

Before splashing out on a new camera, it may be worth considering vlogging with your phone; if it has decent quality video, it could be perfectly adequate. To take your phone’s quality to the next level though, i’d strongly recommend filming with a gimbal for smooth results and connecting a decent microphone for decent audio quality. There’s a wealth of gimbals designed for phones, but one of the best is the Zhiyun Smooth Q, while for audio, look no further than a Rode VideoMic Me (for phones with 3.5mm sockets) or the VideoMic Me-L (for iPhones with Lightning ports). Check out Ben’s review of the Rode VideoMic Me-L below to find out more about vlogging with your phone and an external microphone.

Best budget vlogging camera

One of the best overall cameras for vlogging is also one of the most affordable and compact: the DJI Osmo Pocket 2 leverages the company’s experience in gimbals to deliver the effective stabilisation of a much bigger system in a convenient pocketable device. The Osmo Pocket 2 may only have a small sensor, so won’t match the options below in low light quality or potential for blurring in the background, but crucially houses it on a tiny gimbal that’ll out-perform most optical and sensor-based stabilisation systems. The screen’s small, but good enough for casual filming, or you can connect your phone for a bigger view and easier access to settings. The camera can be set to face away or towards you at the press of a button, while the USB C charging port on the base can be adapted as a microphone input using an optional accessory, which works a treat with lapel-based lav mics. It’ll also film 1080 or 4k video, although due to the small sensor, the footage can become noisy in low light. Overall a strong option for the reasonable asking price of around 350 dollars or pounds, and ideal for those who value stabilisation and portability over the promise of a bigger sensor and interchangeable lenses. Check prices on the DJI Pocket 2 at Amazon, Amazon UK, B&H, Adorama, WEX or! Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

The other major option for vlogging at the budget-end is the GoPro Hero 9 Black, ostensibly a tough action camera, but one that thanks to eerily good digital stabilisation can also prove very effective for vlogging and other pieces to camera, especially if you couple it with the optional Media Mod for an external mic input. Check out mine and Ben’s review of it below.

Best mid-range vlogging camera

For a step-up in quality and flexibility over the typical sensors in a phone, GoPro or the Omso Pocket you’ll be looking at spending $500 to $800 for a budget camera with interchangeable lenses; all my recommended models are available in a kit with an optically-stabilised lens, have decent-sized APSC or Four Thirds sensors for good quality in low light, sport forward-facing screens as well as reliable autofocus and microphone inputs.

Of these, my favourites are both from Canon, both featuring 24 Megapixel APSC sensors with confident Dual Pixel CMOS autofocus. The cheapest is the Canon EOS 250D / Rebel SL3, a DSLR that’s perfect for vlogging in live view with a fully-articulated touchscreen; consider coupling it with the EF-S 10-18mm STM zoom for a wider view. For a little extra you could go for the Canon EOS M50, a mirrorless camera that’s smaller (and to me, cuter) than the 250D / SL3; consider coupling it with the EF-M 11-22mm STM lens for a wider view.

Note the M50 also offers 4k but with a severe crop and basic autofocus, so I’d only consider it as a 1080p / Full HD camera. Both Canon models deliver very nice colours and tones out-of-camera and are my vlogging picks at this price-point. See my Canon EOS 250D / SL3 review and Canon EOS M50 review for more details.

Above: Canon’s EOS M50 is my favourite mid-range camera for vlogging. Check prices on the Canon EOS M50 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

There’s also the Panasonic Lumix G80 / G85 which may not have as confident autofocus as the Canons, but benefits from built-in stabilisation and usable 4k video, not to mention good discounts now the newer G90 / G95 is available – see my Lumix G80 / G85 review for more details. Both the Fujifilm and Panasonic also have access to a broader range of lenses than the Canon EOS M models if you’re thinking of building a bigger system for photography as well as video.

One of the best quality options for the money is the Sony A6400, which sports great quality video, unlimited recording times, confident autofocus, a screen that angles-up to face you and a microphone input too, although mounting anything significant on the hotshoe will block most of the screen. There’s no built-in stabilisation though, so you’ll need a lens with OSS or a gimbal to keep things steady. See my Sony A6400 review for more details, and if you can live with a lower resolution viewfinder, no picture profiles for grading and a body that’s not weather-sealed, you could go for the otherwise identical Sony A6100 at a lower price.

Best pocket camera for vlogging

The mid-range price-point is also where you’ll find the first compact camera worth considering for vlogging: the Canon PowerShot G7X III is a pocketable camera with a 20 Megapixel 1in sensor, a screen that flips-up to face you, a nice bright lens with a built-in neutral density filter, microphone input and even live streaming straight to YouTube over Wifi; the contrast-based autofocus isn’t as confident as the other models recommended here (so it’s better-suited to vloggers who don’t move back and forth too much) but the price coupled with its good quality video and pocketable body make for a compelling combination. See my Canon G7X III review for more details and keep an eye open for deals on the older Canon G7X II which lacks a mic input but is a great starter camera.

Above: Sony’s Z-V1 is my favourite pocket camera for vlogging.

If you can stretch further you can buy one of the most capable pocket vlogging cameras around, the Sony ZV1, which takes the lens and sensor of the RX100 VA, but dumps the viewfinder for a fully-articulated screen, mic input and better quality built-in mics. The lens is also bright and includes a built-in neutral density filter. I compared the ZV1 for vlogging and video creators against the full-frame A7C in the video below.

Priced higher still but still worth considering is the Canon PowerShot G1X III, which squeezes-in the same large 24 Megapixel APSC sensor as the EOS M50, has a built-in viewfinder, fully-articulated touchscreen, great autofocus, attractive colours and a built-in ND filter. There’s no 4k and no microphone input either, but the hotshoe makes it easier to mount an external recorder. The G1X III is really all about having the sensor of a bigger camera in something that’s coat-pocketable, but if you don’t mind carrying something a little larger you could save money on something like an EOS M50 and enjoy a microphone input plus the chance to swap lenses. Check out my vlog test below and see my Canon PowerShot G1X III review for full details.

Best high-end vlogging camera

If 4k and professional video functions are critical for you, then Panasonic has some great options based on a 20 Megapixel Four Thirds sensor (a little smaller than APSC but larger than 1in). The Panasonic Lumix G9 may be pitched primarily as a stills camera, but can film great quality 4k at up to 60p and also features a fully-articulated touchscreen and built-in stabilisation – see my Panasonic Lumix G9 review for full details. Indeed it’s revealing that one of the only cameras to out-feature it for video is the Panasonic Lumix GH5 which remains one of the most powerful pro video cameras at an ‘affordable’ price – see my Panasonic Lumix GH5 review for full details. Note both Panasonic bodies employ contrast-based autofocus which in my tests isn’t as confident as phase-detect or Dual Pixel CMOS AF for video.

Above: Panasonic’s Lumix G9 is one of the most powerful cameras for video for the money, and one of the cheapest with 4k at up to 60p. Check prices on the Panasonic Lumix G9 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

If you’re satisfied by the Four Thirds sensor but desire more confident phase-detect autofocus, then consider the Olympus OMD EM5 III. It records great looking video (including 4k), has a fully-articulated touchscreen and arguably the best built-in stabilisation around. See my Olympus OMD EM5 III review for more details.

At this price point you can also switch to full-frame sensors which deliver better quality in very low light. One of the most affordable is the Canon EOS RP which shares the same sensor as the 6D II, but packs it into a smaller body that still features a fully articulated screen. See my Canon EOS RP review for more details.

Also consider the higher-end Canon EOS R, another mirrorless camera with a fully-articulated screen that can face forward – although since its 4k suffers from such a severe crop, it’s only the 1080 video that benefits from the full-frame sensor. See my vlogging example below and Canon EOS R review for more details.

The Sony A7C is also a key option to consider with a full-frame sensor, IBIS and a fully-articulated screen, although I personally found the kit zoom held it back, so if you’re serious about filming, opt for a different lens sooner rather than later – the Sony FE 20mm f1.8 would be ideal for vlogging and general filming.

If you’re after a high-end camera for filming, it’s hard to beat the Sony A7S III, but we’re talking about pro-budgets now. Check out my Sony A7S III review for more details.

Best vlogging accessory

Decent sound quality will greatly enhance your videos and beyond recording in a quiet environment the best approach is to use an external microphone and position it as close to you as possible. While many video creators enjoy good results with a shotgun-style microphone mounted to a hotshoe, like the Rode VideoMic Pro+, I’ve become very fond of the freedom and quality of wireless systems with a lapel mic that can be positioned just under your chin on a collar. One of the most affordable, compact and innovative options is the Rode Wireless Go which delivers a wireless range good enough for all vloggers and the useful inclusion of a mic built-into the transmitter unit – it’ll transform the way you vlog, especially if you walk and talk in noisy environments! Check out my video review below.

The next step to enhance the quality of your footage is to ensure it’s stable, and unless you’re lucky to be filming with one of the cameras with above-average stabilisation, that means using a gimbal. The Zhiyun Webill Lab is one of the best value options for small to medium-sized cameras, although there are models for lighter or heavier loads if preferred. Note the Sony ZV1, A7C and A7S III all record gyro data on their clips, allowing effective post-stabilisation albeit with a crop – check out my ZV1 vs A7C review for examples.

That’s it for this guide. If you found it useful don’t forget you can treat me to a coffee to help fuel my reviews!

Best Vlogging Camera

Canon PowerShot V10 review

The PowerShot V10 becomes Canon’s best dedicated vlogging camera to date, taking the quality of the G7X III, but crucially repackaging it into a body designed for filming first. I was happy to trade the zoom for a wider fixed lens, with the broader coverage making it perfect for handheld vlogging or maker demonstrations. And while there’s no optical IS, the digital stabilisation does a good job at ironing out most wobbles albeit at the cost of a crop. The built-in ND filter with an Auto setting keeps your shutter speeds sensible outdoors, the stereo mics are capable of recording great quality audio although there’s also a mic input if you need it, and the body fits perfectly into one hand with the record button falling directly under your thumb. Best of all though is the built-in stand, allowing you to easily angle the camera up or down for very quick setups without worrying about a tripod. But by inheriting the G7X III’s sensor, the V10 shares the same contrast-based AF system which can’t help but wobble at times. I believe the V10 uses the updated G7X III AF mode, so while it is responsive to changes in subject distance, my beta test sample sometimes focused back and forth more than I personally liked. That said, this AF wobble was no worse than the firmware-updated G7X III, so if you’re already satisfied by the performance of that model, you’ll be fine here. If you’re not though, look for a model with phase-detect AF. Beyond this, I’d have preferred a user-replaceable battery and a mounting for wind mufflers which didn’t require third-party stick-on rings. But overall, filming with the V10 was a very positive experience. This is a camera designed for vloggers and video creators first, rather than forcing you to work around the ergonomics of a hybrid camera. I certainly preferred it to the G7X III for filming, and if you were considering that model primarily for video work, I’d definitely now get this one instead.

Check prices on the Canon PowerShot V10 at B&H, Adorama, WEX UK or Alternatively get yourself a copy of my In Camera book, an official Cameralabs T-shirt or mug, or treat me to a coffee! Thanks!

GoPro Hero 9 Black review

The GoPro Hero 9 is the 2020 edition of the popular action camera series that’s also carved a successful niche in the vlogging and webcam Worlds. Like its predecessor, it’s a rugged block of a camera, waterproof to 10m / 33feet and including built-in mounting feet for GoPro accessories. New to the Hero 9 is a higher resolution sensor allowing 5k video or 20 Megapixel photos, as well as even more effective stabilisation in 4k and below. Timelapse and speed-ramping have both been improved, and the 9 now features not just a larger rear screen, but a new front colour screen to check compositions when you’re in-front of the camera. The bigger screen coupled with a new larger battery are nice upgrades, but also mean the 9 is the largest Hero in the standard series and incompatible with older batteries and cage mods. Owners of the 7 and 8 will certainly be tempted, but it’s a significant upgrade over older models, as well as an ideal choice for anyone buying their first action camera. Like all GoPros, the small sensor means it’s best-suited to bright conditions, but little if anything can match the stabilisation and unique opportunities the camera presents. Highly Recommended. PS- if the 9 is no longer available, go for the newer Hero 10, a mild upgrade but worth having for the same money.

Order the Hero 9 from GoPro USA, or from GoPro UK, or from B&H! Or why not get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Canon PowerShot G7X III review

The PowerShot G7X Mark III updates Canon’s most popular compact with some unexpected features which will delight videographers and vloggers in particular. It keeps the earlier 24-100mm lens and much the same body and controls, but adds a 3.5mm microphone input, the chance to live stream direct to YouTube over Wifi, and allows you to film vertically-formatted video for Instagram Stories and other phone platforms. The resolution remains 20 Megapixels, but the presence of a stacked CMOS sensor allows 4k video, 1080 slow motion up to 120p, and fast burst shooting at 20fps or in a RAW-only mode at 30fps. The sensor is probably the same as Sony’s older RX100 IV which means the G7X III may gain 4k and extra speed but sadly not the phase-detect AF introduced on the later RX100 Mark V which means the autofocus is less confident than the latest Sonys, although a firmware update in October 2019 has at least improved the G7X III video AF speed over its original release. Strangely the G7X III also loses 24p video from its predecessor and lacks eye-detection too. Indeed the superior AF and popup viewfinder of the RX100 VA is hard to ignore, but then it costs one third more than the G7X III while lacking the mic input, live streaming, touchscreen and slightly longer zoom range. As such while there’s some inevitable frustrations, Canon has debuted a number of unique features that will make the G7X III as popular as its predecessors. If you mostly shoot photos, you’ll prefer the longer zoom and viewfinder of the G5X II which still manages to undercut the RX100 VA, but if your focus is vlogging and general use without breaking the bank, the G7X III comes Highly Recommended.

Check prices on the Canon PowerShot G7X III at B&H, Amazon, Adorama or WEX. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Canon EOS M50 review

The Canon EOS M50 is an upper entry-level mirrorless camera with a 24 Megapixel APSC sensor, confident autofocus (for stills and 1080p video), small but crisp OLED viewfinder, excellent wireless, and becomes Canon's first mirrorless with 4k video, a fully-articulated touch-screen, eye detection and silent shooting options. Sadly the 4k is of limited use, employing a severe crop and only working with less confident contrast-based autofocus. I'm also frustrated there's no USB charging, especially since the battery is fairly weak. But these aside, the EOS M50 remains a highly compelling model with a compact but comfortable body, effective touchscreen, industry-leading wireless, confident focusing for 1080p video, and great colours out-of-camera. Indeed the M50 may be pitched as an upper entry-level model, but I reckon it's Canon's most compelling mirrorless to date. Coupled with a hotshoe and microphone input, the M50 will be as popular with vloggers as it is with those looking for an upgrade from smartphone photography. Recommended.

Check prices on the Canon EOS M50 at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Sony RX100 V review

Sony's RX100 Mark V is the company's most powerful premium compact to date. Like the previous two generations in the series it packs a 1in / 20 Megapixel sensor, built-in viewfinder, 24-70mm f1.8-2.8 zoom, tilting screen and decent Wifi / NFC wireless control (so long as you update the in-camera app). The Mark V also inherits the 4k movies and HFR slow motion video of the Mark IV, but builds on it further with embedded phase-detect AF for more confident photo and movie focusing, and a front-side LSI processor which doubles HFR recording time, boosts continuous shooting to 24fps and allows huge bursts to be captured. In short, it's the best compact for action shooters and also one of the best for video too. But there's still no touchscreen and if you don't need ultra slow motion video, PDAF or the epic bursts, there are more affordable 1in compacts around with essentially the same photo quality, albeit few which have the built-in viewfinder.

Check prices on the Sony RX100 VA at Amazon, B&H, Adorama, or Wex. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks!

Buy Gordon a coffee to support cameralabs!

Like my reviews? Buy me a coffee!

In Camera by Gordon Laing

Buy it at Amazon!

Follow Gordon Laing

All words, images, videos and layout, copyright 2005-2022 Gordon Laing. May not be used without permission. As an Amazon Associate I earn from qualifying purchases.

Website design by Coolgrey